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Best Rokinon Cine Cameras

Explore Rokinon Cine Cameras, premium full-frame cine lenses for Canon EF mounts. Ideal for filmmakers seeking affordable, high-performance optics with geared focus and de-clicked apertures.

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Rokinon Cine DS 35mm T1.5 Full Frame Wide Angle Cine Lens for Canon EF - AS IF UMC, Unified Gears

The Rokinon Cine DS 35mm T1.5 is a full-frame cine lens for Canon EF with unified gears across the DS series and color-matched optics for seamless video production. Its T1.5 aperture and aspherical elements deliver sharp, low-light performance ideal for indie filmmakers and videographers.

  • Achieve cinematic low-light shots with ultra-fast T1.5 aperture
  • Swap lenses effortlessly with unified focus and aperture gear positions
  • Enjoy consistent color and contrast across all Rokinon Cine DS lenses
  • Minimize flare and ghosting for contrast-rich images via UMC coating
  • Capture sharp details with aspherical and high-refractive elements reducing aberrations

Industry-standard gearing speeds up follow focus setups. Dual focusing scales for easy operation from both sides. Excellent sharpness and clarity on full-frame and APS-C sensors.

Manual focus only, no autofocus. Requires separate follow focus for precise video control. Larger size may feel bulky on smaller rigs.

Rokinon Cine DS 100mm T3.1 ED UMC Full Frame Macro Cine Lens for Canon EF - Telephoto Video Prime

The Rokinon Cine DS 100mm T3.1 is a full-frame telephoto macro cine lens for Canon EF cameras with 1:1 life-size reproduction and close focus to 1 foot. Its geared rings, de-clicked aperture, and ED glass deliver sharp, low-distortion footage with beautiful bokeh, ideal for videographers and portrait filmmakers.

  • Achieve life-size 1:1 macro shots of tiny subjects with sharp detail and minimal distortion
  • Create dreamy bokeh highlights using the 9-blade circular diaphragm for cinematic portraits
  • Seamless video rigging with industry-standard geared focus and iris rings on both sides
  • Full-frame coverage with 24.8° angle of view, versatile for telephoto candids and close-ups
  • Ultra Multi-Coating reduces flare and ghosts for vibrant, color-matched footage

Exceptional optical quality with 15 elements including ED and HR glass for aberration-free images. T3.1 to T32 aperture range with de-clicked control perfect for smooth video exposure. Compact 3.2-inch diameter fits easily in follow focus systems.

Manual focus only, requiring practice for precise control. Cine-specific T-stops may not align perfectly with still photography needs. Removable hood could be petal-shaped for better light control.

Welcome to the premier destination for Rokinon Cine Cameras, where cinematic excellence meets affordability. This category showcases two exceptional full-frame cine lenses designed specifically for Canon EF digital SLR cameras: the versatile 35mm T1.5 wide-angle lens and the precise 100mm T3.1 telephoto macro lens. Whether you're an indie filmmaker, content creator, or professional videographer, these lenses deliver the optical quality and build needed to elevate your productions without breaking the bank.

Why Rokinon Stands Out in Cine Lenses

Rokinon has built a stellar reputation for crafting manual-focus cine lenses that rival pricier alternatives. What sets them apart is the Cine DS series' focus on usability: de-clicked apertures for smooth exposure transitions, geared focus and iris rings for follow-focus systems, and multi-coated UMC elements to minimize flare and ghosting. Both lenses in this category are full-frame compatible, ensuring sharp, vibrant imagery across the sensor. They're particularly favored for their value, offering Extra-low Dispersion (ED) glass for superior color correction and minimal chromatic aberration.

Key Features to Consider When Shopping

When selecting a Rokinon cine lens, prioritize your shooting needs. Look for T-stop ratings that indicate light-gathering power—T1.5 on the wide-angle model excels in low-light scenarios, while T3.1 on the macro provides controlled depth of field. Aspherical (AS) and IF elements enhance edge-to-edge sharpness, crucial for 4K and 8K workflows. Build quality includes all-metal construction for durability on set. Both lenses support Canon EF mounts, making them plug-and-play with popular cinema rigs.

  • Optical Design: ED and UMC coatings for clarity and contrast.
  • Ergonomics: 0.8 MOD gear rings standard for matte box compatibility.
  • Macro Capability: Unique to the 100mm for extreme close-ups.
  • Breathing: Minimal focus breathing preserves framing during pulls.

These features make Rokinon lenses reliable workhorses for demanding shoots.

Comparing the Top Rokinon Models

Choosing between the 35mm T1.5 AS IF UMC and the 100mm T3.1 ED UMC boils down to your focal length preferences. The 35mm wide-angle lens is a go-to for establishing shots, vlogging, and dynamic scenes—its ultra-fast T1.5 aperture captures shallow depth of field in dim environments, ideal for narrative films or music videos. Distortion is well-controlled for its class, making it suitable for architecture or landscapes.

In contrast, the 100mm telephoto macro shines in product shots, portraits, and detailed close-ups. With a 1:0.5 magnification ratio, it isolates subjects beautifully against creamy bokeh. Its longer reach compresses perspectives, perfect for interviews or wildlife footage. If you're building a kit, pair the wide 35mm for context with the 100mm for detail—together, they cover diverse storytelling needs.

For those exploring alternatives, check out sibling options in the broader Cine Cameras category or compare with SIRUI Cine Cameras for similar budget-friendly builds. If you're new to lenses, our Camera Lenses guide offers more insights.

Common Use Cases for Rokinon Cine Lenses

These lenses thrive in indie filmmaking, where manual control trumps autofocus speed. Use the 35mm for run-and-gun documentaries or YouTube series requiring wide views and low-light performance. The 100mm excels in controlled studio work, like commercials or beauty shots, leveraging its macro prowess. Both integrate seamlessly into mirrorless setups via adapters, extending their utility in hybrid workflows. Filmmakers appreciate the consistent color rendition across Rokinon primes, simplifying post-production grading.

Backed by the trusted ecosystem of Camera & Photo gear, Rokinon lenses fit into professional kits alongside gimbals and monitors. For broader electronic needs, explore our Electronics selection.

Frequently Asked Questions

What's the warranty on Rokinon cine lenses?

Rokinon typically offers a 1-year limited warranty covering manufacturing defects, with options for extension through authorized dealers. Always register your lens for full coverage.

How do Rokinon lenses compare to competitors like SIRUI or Meike?

Rokinon edges out with superior full-frame coverage and ED glass, delivering sharper results than many budget rivals. They're a sweet spot for quality versus cost, especially versus Meike Cine Cameras.

Which Rokinon cine lens should a beginner choose?

Start with the 35mm T1.5 for its forgiving wide angle and low-light prowess—easier to compose than the macro telephoto. Both build manual focus skills essential for cinema.

Are these lenses compatible with non-Canon EF cameras?

Yes, via adapters for Sony E, Nikon Z, or Micro Four Thirds, though manual operation remains. Verify adapter quality to maintain infinity focus.

What customer support does Rokinon provide?

Rokinon offers responsive email and phone support through their U.S. headquarters, plus firmware updates and repair services for long-term reliability.